According to Audrey Shafer, there is something profound in the moment a patient wakes up from surgery. She would know — she's an anesthesiologist. She's responsible for people when they are at their most vulnerable: unconscious, unable to breathe on their own or even blink their eyes. As a result, Shafer says, a kind of intimate trust forms between her and her patients. It's this closeness that moves her to write poetry about medicine. Shafer is an anesthesiologist and professor at Stanford University School of Medicine. She directs a program called Medicine and the Muse, which combines the arts, including poetry, with the practice of medicine. Her poetry has appeared in medical journals and poetry anthologies. Poetry, she says, is a natural means of translating the murkiness of what happens to the brain under anesthesia. "Anesthesiologists tend to be viewed as more knob-and-dial oriented than people-oriented," she says. But, Shafer argues, that couldn't be further from the truth. When patients finally come out of surgery, she's one of the first people to welcome them back to their conscious experience of the world. (Based on Robert Schumann's Third String Quartet, Movement 1) By Audrey Shafer We meet in the holding room; a paper dress covers your tattoos At any moment, your craze of fragile vessels could spill, fill the sea cave cradling your mind Your wife holds your hand until it is time for us to go I guide you as you blow through a straw swimming across your long day of surgery Five hours, and five more: surgeons untangle a crevice of your brain, clamp the feeder, reassemble your skull You re-surface, blinking like a newborn ride in your wide white boat to intensive care; nurses and doctors give and take report you speak but I do not understand Hhhh-m you say, and louder Hhhh-m! Head? I ask Hurt? Hand? Heart? Does your chest hurt? I am wrong and wrong again— You smile and try once more: Hug me Hug you? I repeat, and the entire team turns to stare silently: I lean over wires, bandages, the spaghetti of tubes, the upright side rail and give a most awkward hug The team resumes its buzz: monitors bleep, pagers bark, phones ring, keyboards clack, bellows wheeze, alarms blurt the unit dins in unscored discord But for two notes, harmony presided over all— in a falling fifth, a two-toned sigh, you told me you know; you know you landed on the warm sands of recovery: Hug me. Source
